coursework:2014f:ray_tom
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| coursework:2014f:ray_tom [2014/09/30 05:07] – csymonds | coursework:2014f:ray_tom [2014/10/07 02:35] (current) – csymonds | ||
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| The problem: computer languages are too fragile or " | The problem: computer languages are too fragile or " | ||
| - | Determined to succeed, Ray turns his back on 15 years of biology research | + | Determined to succeed, Ray left behind |
| ===1990: Tierra is born=== | ===1990: Tierra is born=== | ||
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| "I stood back and watched like a god satisfied with his creation" | "I stood back and watched like a god satisfied with his creation" | ||
| - | ===To the LPU and beyond=== | + | ===Exploring A New World=== |
| - | Over 30 papers, articles, and journals were published in the span of 5 years. The next 20 years of research is spent pushing the field of artificial life and digital evolution. | + | Over 30 papers, articles, and journals were published in the span of 5 years. The next 20 years of research is spent pushing the field of artificial life and digital evolution. |
| 1991: Transition to Computational Evolution and Documenting Tierra | 1991: Transition to Computational Evolution and Documenting Tierra | ||
| Line 66: | Line 66: | ||
| 1995 | 1995 | ||
| * A proposal to create a network-wide biodiversity reserve for digital organisms. | * A proposal to create a network-wide biodiversity reserve for digital organisms. | ||
| + | * The first Tierra workshop - derivative works (Charles Ofria, Avida) | ||
| + | 1996 | ||
| + | * The last Terria workshop? | ||
| + | 1997 | ||
| + | * Evolving Parallel Computation | ||
| + | * Evolution as Artist (applying evolution to the world of art and the creative process) | ||
| - | 2002 | + | 1998 |
| - | Critique | + | * Documentation |
| - | Ray: " | + | 2000 |
| - | + | * Aesthetically Evolved Virtual Pets | |
| - | Kurzweil: "It is only through the collapse of the wave function that an event becomes determinate and thereby causes a reaction | + | * Evolution of Complexity: Tissue Differentiation |
| - | + | ||
| - | {{ : | + | |
| + | 2002 | ||
| + | * Critique of Ray Kurzweil' | ||
| 2004-5 | 2004-5 | ||
| - | Evolution, Robustness and Adaptation of Sidewinding Locomotion of Simulated Snake-like Robot | + | |
| 2009 (Last* Artificial Life publication): | 2009 (Last* Artificial Life publication): | ||
| Line 92: | Line 98: | ||
| Ray, T. S. 2010. Psychedelics and the Human Receptorome. PLoS ONE., February 2, 2010. | Ray, T. S. 2010. Psychedelics and the Human Receptorome. PLoS ONE., February 2, 2010. | ||
| "It should be possible to use this diverse set of drugs as probes into the roles played by the various receptor systems in the human mind." | "It should be possible to use this diverse set of drugs as probes into the roles played by the various receptor systems in the human mind." | ||
| + | |||
| + | 2012 | ||
| + | * Mental Organs and the Origins of Mind | ||
| + | |||
| + | Mind Research: | ||
| * The human mind is populated by mental organs | * The human mind is populated by mental organs | ||
| Line 105: | Line 116: | ||
| and thus provide the mechanisms by which evolution sculpts the mind. | and thus provide the mechanisms by which evolution sculpts the mind. | ||
| + | 2013 | ||
| + | * Future minds, mental organs and ways of knowing. | ||
| + | * Technoetic Arts: A Journal of Speculative Research | ||
| Line 114: | Line 127: | ||
| [[http:// | [[http:// | ||
| + | |||
| + | [[https:// | ||
coursework/2014f/ray_tom.1412053668.txt.gz · Last modified: 2014/09/30 05:07 by csymonds
