coursework:2014f:ray_tom
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The problem: computer languages are too fragile or " | The problem: computer languages are too fragile or " | ||
- | Determined to succeed, Ray turns his back on 15 years of biology research | + | Determined to succeed, Ray left behind |
- | 1990: Tierra is born | + | ===1990: Tierra is born=== |
* The instruction set of the CPU, the memory, and the operating system together define the complete " | * The instruction set of the CPU, the memory, and the operating system together define the complete " | ||
* The machine language defined by the CPU constitutes the genetic language of the digital organism. | * The machine language defined by the CPU constitutes the genetic language of the digital organism. | ||
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"I stood back and watched like a god satisfied with his creation" | "I stood back and watched like a god satisfied with his creation" | ||
+ | ===Exploring A New World=== | ||
+ | Over 30 papers, articles, and journals were published in the span of 5 years. The next 20 years of research is spent pushing the field of artificial life and digital evolution. Highlights include: | ||
- | + | 1991: Transition to Computational Evolution | |
- | 1991: Transition to Computational Evolution | + | |
* Genetic Algorithms | * Genetic Algorithms | ||
* Evolution and optimization of digital organisms | * Evolution and optimization of digital organisms | ||
* Population dynamics of digital organisms | * Population dynamics of digital organisms | ||
* An approach to the synthesis of life | * An approach to the synthesis of life | ||
+ | |||
+ | 1992 | ||
+ | * Evolution, ecology and optimization of digital organisms | ||
+ | 1993 | ||
+ | * How I created life in a virtual universe | ||
+ | 1994 | ||
+ | * An Evolutionary Approach to Synthetic Biology: Zen in the Art of Creating Life. | ||
+ | 1995 | ||
+ | * A proposal to create a network-wide biodiversity reserve for digital organisms. | ||
+ | * The first Tierra workshop - derivative works (Charles Ofria, Avida) | ||
- | 2002 | + | 1996 |
- | Critique of Ray Kurzweil' | + | * The last Terria workshop? |
- | Ray: " | + | 1997 |
+ | * Evolving Parallel Computation | ||
+ | * Evolution as Artist (applying evolution to the world of art and the creative process) | ||
- | Kurzweil: "It is only through the collapse | + | 1998 |
+ | * Documentation | ||
- | {{ :coursework: | + | 2000 |
+ | * Aesthetically Evolved Virtual Pets | ||
+ | * Evolution of Complexity: Tissue Differentiation in Network Tierra | ||
- | + | 2002 | |
- | 2003 | + | * Critique of Ray Kurzweil' |
- | An Evolutionary Approach to Synthetic Biology: Zen in the Art of Creating Life. | + | |
2004-5 | 2004-5 | ||
- | Evolution, Robustness and Adaptation of Sidewinding Locomotion of Simulated Snake-like Robot | + | |
2009 (Last* Artificial Life publication): | 2009 (Last* Artificial Life publication): | ||
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Ray, T. S. 2010. Psychedelics and the Human Receptorome. PLoS ONE., February 2, 2010. | Ray, T. S. 2010. Psychedelics and the Human Receptorome. PLoS ONE., February 2, 2010. | ||
"It should be possible to use this diverse set of drugs as probes into the roles played by the various receptor systems in the human mind." | "It should be possible to use this diverse set of drugs as probes into the roles played by the various receptor systems in the human mind." | ||
+ | |||
+ | 2012 | ||
+ | * Mental Organs and the Origins of Mind | ||
+ | |||
+ | Mind Research: | ||
* The human mind is populated by mental organs | * The human mind is populated by mental organs | ||
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and thus provide the mechanisms by which evolution sculpts the mind. | and thus provide the mechanisms by which evolution sculpts the mind. | ||
+ | 2013 | ||
+ | * Future minds, mental organs and ways of knowing. | ||
+ | * Technoetic Arts: A Journal of Speculative Research | ||
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[[http:// | [[http:// | ||
+ | |||
+ | [[https:// |
coursework/2014f/ray_tom.1412052483.txt.gz · Last modified: 2014/09/30 04:48 by csymonds